So at what point can - and should - the consumers step in? The prospect of so many summer films being forced to open without actors on publicity appearances may spur the AMPTP to offer SAG-AFTRA an acceptable deal, but that does not mean the writers, who have more and separate demands, will get the same. Since then, television production has spread at a remarkable rate across the country - Georgia’s Little Hollywood is also suffering, as are the many cities that have built thriving production economies.īecause striking writers, and potentially actors, cannot do publicity, Netflix, Disney, HBO, Sony and other studios have decided to skip this year’s Comic-Con in San Diego, which will take a huge toll on an event and a city only just recovering from the pandemic. The 2007-08 writers’ strike cost California 38,000 jobs and more than $2 billion.
Why many members of the Writers Guild of America have targeted streaming giant Netflix in their fight for higher streaming residuals. It’s the crew, the costume and prop houses, the security guards, the caterers, the restaurants, the florists, the hotels, the trailer rental companies, the cafes - a cascade of loss from businesses that depend on healthy amounts of television and film production.Ĭompany Town Hollywood is calling it ‘the Netflix strike.’ Here’s why Instead, they have decided to wring every cent they can from unfair compensation systems, and now to precipitate a strike during which no one is getting paid.īut it isn’t just the writers who lose income when production shuts down. Instead, they have chosen to appear shocked - shocked to find that the writers in particular have so many demands. None of this happened suddenly the AMPTP has had years to figure out a contract that would address the issues and avert any kind of strike. Which is very convenient if you want to avoid paying any sort of residual.
Strike back netflix series#
No one, aside from the streamers themselves, knows what makes a successful series on streaming.
Strike back netflix professional#
Yes, there was more television being made than ever before, but it was being made in a way that made the professional lives of writers and actors - even those on wildly successful series - more precarious, not less. What seemed like a boon for writers and actors - so many new series! - was soon revealed as a con. Streamers want the kind of content that will draw audiences away from those cable bundles, but, as it turns out, they don’t want to pay for it. But when “ House of Cards” announced Netflix’s entrance into the business of original scripted television - well, that’s when things got sticky. Sure, when Netflix began gobbling up shows from network libraries and offering consumers a world of television at their fingertips with no distracting ads, it seemed like the Eighth Wonder of the Modern World. There may be subscription fees, but it’s ads that pay the bills. The only reason television (or most media) exists is because of advertising. It’s difficult to understand how exactly Netflix and its ilk hoped to make money.
Strike back netflix free#
There is a shameful pleasure in seeing Netflix humbled, but no one wants a free fall for the only streamer focused on one product: creative content. Now the streamers have forced at least one strike, and possibly another, that will have a harmful long-term impact not just on the entertainment industry but on the economies of any city in which television is made.Įntertainment & Arts Column: Why Netflix’s no-good, not-very-bad quarter satisfies our love-hate relationship And even as originators like Netflix lose popular content, every year brings a price increase. With complicated multiplatform deals and studios clawing back content for their own streamers, keeping track of what series lives where has become a full-time job.
Many cord-cutters are already unhappy with what was supposed to be an economical alternative to pricey cable bundles.
Would that be helpful? Or, in this streaming-addicted culture, is it even possible? Should we, say, consider canceling our subscriptions to Netflix, Amazon, Hulu, Disney+, Apple TV+, Max or any of the many other streaming services vying for our eyeballs and dollars until the strike is resolved? As the writers’ strike stampedes through its second month and the possibility of an actors’ strike looms, it’s time to ask: When - and how - should consumers get involved?
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